Surface Poem Trilogy 3: Myth and Legend

For the third and concluding poem of the Surface trilogy we travel out from the human mind to its stories, myths and legends.

Whether these derive from good imaginations or something more spiritual I don’t know; as with poetry, many times we don’t know where the ideas come from. Maybe one day we will…

Poem Explanation

The poem demonstrates how humanity across the world has looked above and below the surface for inspiration for its myths and legends.

The poem starts and ends with Greek examples, and has ones from Indian, Celtic, Sioux and Norse in-between.

Poem Structure

The words per line mirror, and are presented below in the way they are structured in the six paragraphs of the poem:

8-3-6-5-2-8
7-5-3-5-5-6
8-4-7-8-8-
(9)
8-4-7-8-8
7-5-3-5-5-6
8-3-6-5-2-8

The Poem

Surface: The Mind, Imagination and Myth Creation

Icarus flew with God on wings and wax
above ancient Greece,
but became intoxicated by the sun,
and expelled from the legendary
flying club
just as it was getting to be fun.

Jatayu and Sampaati played with solar winds
as vultures in the skies
of Hindu mythology,
but Jatayu got too high,
and in saving his brother
Sampaati relinquished his right to fly.

Lugh and Bran battled in old Celtic skies
year in ,year out,
over day and night, light and dark,
people on the ground would light a spark
to mark the time when each came back.

On the surface, human imagination travelled high and low

a chief’s son was lost underground while riding
to hunt buffalo that was revered for providing
their food and warmth, magic and reason
this season, next season,
In Sioux mythology a subterranean lesson wasn’t treason.

Odin rode to Helheim for Baldr,
his beloved son of Frigg
lost in the ninth realm
of Norse mythology.
Sleipnir carried the magic muse
but only to a Volva’s dreadful news.

Travelling home from the Trojan war to Ithaca
an odyssey
Odysseus took his men underworld
to the River Acheron in Hades
to meet Tiresias
and receive advice known only to the blissless.


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Surface Poem Trilogy 2: Human Image and Self

Today we have the second part of Marc Latham’s Surface. Please see the first part of the poetry trilogy for an explanation to the series.

Marc has made a slight adjustment to the first poem in the trilogy after viewing it on this site: there were two uses of the word ‘under’ in the bottom half of the poem, and the second has now been changed to ‘below’. A benefit of putting the poetry up on site!

Surface 2: Poem Explanation

This poem turned into a bit of an epic, and I probably have people who have pushed the boundaries of the form before to thank for that, like Sarah, Caroline and Wendy.

At first it was just meant to be the top half, with the surface line as the folding middle line, but then I thought that it works both ways, so I doubled it to include the bottom half, and made a new folding middle line: that image and self work both ways. I think this makes a good reflection, but hadn’t thought about it that way until I’d completed the top half.

I believe that almost everybody has an inner self that is different to their image, or inner selves that are different to their images; whether they keep their self hidden consciously or unconsciously, and out of choice or necessity.

I’m not trying to expose anything, and don’t think it’s anything really groundbreaking; it’s mostly based on information that’s out there already, together with a lifetime of experiences.

Hopefully it makes a good and interesting Folding Mirror poem.

Poem Structure

Bloody hell, where do I start!

No, it’s quite simple really, with both halves of the poem mirroring themselves, and the poem as a whole mirroring.

Both halves have a sequence of:

3-3-3-3-3-1 (7) 1-3-3-3-3-3

either side of the six words folding middle line of ‘Image and Self work both ways’.

The punctuation also mirrors, but it isn’t really grammatical anyway.

The Poem

Surface 2: Human Image and Self

My image is

calm and collected
humble and polite
social and warm
apolitical and irreligious

above

the surface; scratch, scratch below the surface

hides

opinionated and argumentative
reclusive and cold
vain and rude
angry and dejected

The inner self

Image and Self work both ways

My image is

gruff and hard
resolute and robust
dynamic and ruthless
independent and miserly

above

the surface; scratch, scratch below the surface

hides

social and philanthropic
relaxed and compassionate
flexible and vulnerable
soft and temperate

The Inner Self


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Surface Poem Trilogy 1: the Physical

Today we have the first of three poems that make up the Surface trilogy.

All three poems appeared in the Autumn etips, and this first one will also be published in the Tips for Writers magazine. All are available from the Norfolk poets website.

Thanks to Wendy Webb and the Norfolk poets for publishing them and allowing their use here as well.

Trilogy Explanation

The idea for the trilogy kind of came to me one sunny day that seems like a long time ago, but was in fact early this summer; the same summer we are still in, but the good weather seems a long time ago!

The idea for this first poem came to me while I walked in nature, and then I thought of doing the surface of humanity, and then further into the abstract with myths to complete a trilogy.

I hope it works for you and you enjoy it.

The Poem Explanation

The Surface poem just tells the story of what animals you may see at different height and depth levels either side of the surface; starting with the highest flyers above it in the top half of the poem and working down to the surface in the middle, and then working down from the surface/middle to the lowest depths of the oceans in the bottom half.

Poem Structure

The poem mirrors in words per line either side of the middle:
8-7-6-5-4-6-8-7-6-2 (6) 2-6-7-8-6-4-5-6-7-8

There is a full stop in the same place in each half: at the end of the fifth from the outer.

The capital letters don’t mirror exactly though, with the top half one six lines from the outer and the bottom one four lines from the outer.

The Poem

Surface Trilogy: the Physical

eagles and vultures soar majestically at high altitude
crows and kingfishers fly without such attitude
sometimes level with squirrels and possums
scampering along branches of blossoms
under the summer sunshine.
Upon colourful flowers and new leaves
dragon and damsel flies look the bee’s knees
fawns and lambs frolic in the sun
new life abounds at every turn
above the

surface of water and land, which

give cover
for species living under the ether
moles and hares hide below the weather
worms and ants create worlds that can hark
back to cave civilisations from dark
ages lost before enlightenment.
Brighter oceans with coral display
mandarins and angels seem to play
above sharks and rays that gracefully glide
but fangtooths and vipers were born to hide


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Revised Vertical to Horizontal Folding Mirror

This is a revised version of Some Clouds Have a Silver Lining, turning it from horizontal to vertical.

The Poem


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Some Clouds Have a Golden Lining

We see the rain approach
but hope
it will not
reach or breach our beach

Some Clouds Have a Golden Lining

On change of wind we
now depend
our day on
the beach it must defend

Three New Folding Mirror Poems in Etips

There are three new Folding Mirror poems by Marc Latham in the Autumn issue of the etips poetry magazine, which is available from the link.

Wendy Webb also talks of Folding Mirrors appearing across the web, including one from Romania, so that’s great news for the form…and hopefully poetry.

Hope you enjoy them, and I’ll be putting them up here over the next three days too.

Lord Byron in Europe on Channel Four

First part of a two part documentary about the poet Lord Byron in Europe on Channel 4 tonight at 9pm too.

First Vertical Mirror Poem?


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Today we have what is probably another first in the short history of Folding Mirror poetry, as Marc Latham brings you a vertical poem. Over to Marc:

Poem Explanation

I thought of the idea of a vertical folding mirror poem when I was walking to work one day.

The sky above me was almost divided in half, between blue on one side and grey on the other, and I remembered being out in the dales not long before, and the sun was obviously shining on land in the distance but not on us, and later it was shining on us but obviously not on land in the distance.

On the edge of the cloud before the clear sky there is often a gold lining where the sun is lighting it up; don’t know if that’s where the old adage about ‘every cloud has a silver lining’ comes from.

So I thought of creating a Folding Mirror poem that could capture that imagery, and thought that doing it vertically, which was how I saw and remembered it, was the best way.

The first vertical Folding Mirror poem came from that.

I swapped the setting to the beach, as that’s what came out. I think the plinth was inspired by Wendy Webb’s account of seeing Crysse Morrison read poetry from a plinth a couple of weekends ago.

Structure

As the poem works vertically it can also be read vertically from top to bottom in the three columns.

The text fits pretty well into a mirror either side of the middle folding line. The words per top paragraphs are 11-2-11, in the middle paragraphs they are 14-2-12, and in the bottom paragraphs 15-2-15.

The Poem

Some Clouds Have a Golden Lining

golden lining