Tag Archives: Sal Paradise

Poem On the Road to the Epic of Gilgamesh

 Marc Latham’s latest Folding Mirror poem was inspired by reading David Lewis-Williams and David Pearce’s Inside the Neolithic Mind and the British cinema release of Walter Salles‘s On The Road. On The Road is of course Jack Keroac‘s classic 1950s Beat novel, that inspired Marc Latham to travel and write.
It has taken over fifty years to bring a film version of On The Road to the screen, and it has received mixed reviews so far, although the acting is supposed to be great. Most critics think it is hard to capture that time now, with the Beats having helped liberate Western culture to such an extent. Marc doesn’t think the book is really that exciting anyway; it was just the idea and philosophy it contained: to live for the moment, seek truth and meaning, and really savour life. It can mean being quite selfish and nihilistic, and Kerouac was disappointed in what the Beat inspiration turned into in the anarchic and messy hippy culture of the  sixties.
It is released a fortnight after Marc Latham turned 47, Kerouac’s last age, and Marc is now the sceptical grump that Kerouac was at that age, rather than the free and inquisitive twenty-one-year old he was when he took to the road in search of Kerouac’s life. Marc is writing this fuelled by strong coffee the Kerouac way, and hopes to watch and enjoy the film soon.
In Inside the Neolithic Mind Lewis-Williams and Pearce write that The Epic of Gilgamesh is the earliest Near-Eastern myth known, and one of the oldest pieces of literature in existence. It tells the journey of Gilgamesh, the semi-divine king of Uruk, and a wild creature created by the gods called Enkidu. Together, they travel through the tiered Sumerian cosmology, and following Levi-Strauss’s theory of society being formed around binary oppositions (which is not considered entirely accurate now), Lewis-Williams and Pearce consider ‘their personalities constitute a set of parallel oppositions that can … be read horizontally and vertically’ :
  • Enkidu : Gilagmesh
  • nature : culture
  • wild : civilisation
About 4,000 years after the Epic of Gilgamesh was formed, Kerouac and Neal Cassady travelled the American highways together, immortalised in On The Road as Sal Paradise and Dean Moriaty, and have widely been considered to be a modern version of the culture and nature binary opposition.
So Marc thought he’d combine them into a Folding Mirror poem, and here it is:

Travelling Humanity’s Existential Contrasts
On the Road
classic of fifties free thinking
into the twenty-first-century
Sal Paradise and Moriaty
travelling America’s California dream
searching for life’s answers
risking all to escape
modernity’s false reality
captured in book and film
cultural representative, nature’s perspective
etched on tablet of stone
antiquity’s oldest mythical record
leaving palace and divinity
seeking sun god solicitation
journeying Forest of Cedar
Uruk King and Enkidu
written in third-century-BC
insight into early civilisation mind
Epic of Gilgamesh
English: Caption in book reads: "Izdubah ...
English: Caption in book reads: “Izdubah and Heabani in conflict with the lion and bull”. (Photo credit: Wikipedia)
Marc Latham’s central site is the Greenygrey (http://www.greenygrey.co.uk), and he has several books available on Amazon (http://www.amazon.com/author/marclatham).
Advertisements

Dead Man On The Road: Poem about Musicians Acting Writers and Poets

A street sign of Jack Kerouac Alley.
Image via Wikipedia

 

I read some good news yesterday: the On The Road movie, which many people doubted would ever get made, has been filmed and is due out within the next year or so.

On the Road film

It also looks as if there is a good production team, including Francis Ford Coppola. 

I was pleased, and not too surprised, to read that Sam Riley is playing the role of Sal Paradise in it; Kerouac’s alter ego.

Sam Riley and 10,000 Things

I first saw Riley on stage in Leeds, when he was fronting a band called 10,000 Things.  They were good, and looked likely to make it, but their first album had a bad review and they split up.  Riley returned to acting.

I thought that was a bit of a coincidence: the singer from the best Leeds band I’ve seen playing the role of the character that had been my biggest travel inspiration.

Johnny Depp and Rock City Angels

And then today I had another surprise when I read that Johnny Depp, who I’ve always thought of as cool, and who has acted in some of my favourite films, such as Dead Man, used to be in a band called Rock City Angels that I knew in the 1980s, but didn’t know Depp was in them.  I was travelling at the time, and picked up the album on the road.

The Poem

Anyway, I thought I’d make the two coincidences into a Folding Mirror poem, and here it is:

Two Days When My Cultural Worlds Collided

English actor, American poet
found out
one afternoon before
Sam Riley’s playing Sal Paradise
On The Road
10,000 Things to Kerouac
Leeds band and Beat writer
music, films, literature

cultural exchange across the spiritual big pond

past, present, future,
Hollywood star and Romantic poet
Depp played William Blake
in Dead Man
was Rock City Angel guitarist
one became aware
morning after
American actor, English poet